By Barbara Haskell. Essays by E. Bruce Robertson, Ms. Elizabeth Hutton Turner, Director Barbara Buhler Lynes, Sasha Nicholas
Although Georgia O’Keeffe (1887–1986) has long been regarded as a central figure in 20th-century art, the abstract works she created throughout her career have remained critically and popularly overlooked in favor of her representational subjects. Beginning with charcoal drawings made in 1915, which were among the most radical creations produced in the United States at that time, O’Keeffe sought to transcribe pure emotion in her work. While her output of abstract work declined after 1930, she returned to abstraction in the 1950s with a new vocabulary that provided a precedent for a younger generation of abstractionists. By devoting itself to this largely unexplored area of her work, Georgia O’Keeffe: Abstraction is an overdue acknowledgment of her place as one of America’s first abstractionists. 256 pages. Hardcover. Yale University Press, 2009.
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